Call for Research and Art Residency Applications

To accompany the upcoming exhibition, Dancing Notes: New Works by PangTao, the Inside-Out Art Museum offers funding to support one artist and one researcher for a one-month residency at the Inside-Out Art Museum within the duration of the exhibition. Artists and researchers, conducting artistic practices and academic studies based on Pang Tao, will contribute to the scholarship of the artist and further to modern and contemporary Chinese art. They are expected to share their studies in various forms. 

Artist and researcher selected for the program will be provided with return flights (up to RMB 3000 for domestic flights within China and up to RMB 6000 for international travels). They will stay at the Art Residency Studio of the Inside-Out Art Museum free of charge.

Application ProcessPlease submit the following materials: - Residency statement (A4, one page) elaborating the reason, research or art plans during the residency.- Portfolio of artworks or articles. - Resume.- A photo. The exhibition will open on July 14, 2018 and ends on November, 2018. Residency time is September and October, or any 30 days within the two months. Application deadline is on July 30. Please specify your residency duration in your statement, and send the materials to the following email address:artist-residency@ioam.org.cn 

About the Exhibition:  

Dancing Notes: New Works by Pang Tao
Curator:Carol Yinghua Lu
Exhibition Advisors: Lin Yan, Liu Ding
Exhibition Coordination: Liu Lei
Exhibition Designer: Liu Ding
Exhibition Installation: Fang Yongfa
Education Program and Communications: Yang Tiange, Zheng Yahui
Opening: 10:30 am, July 14, 2018 
Exhibition Dates: July 14 – November 11, 2018
Organizer: Beijing Inside-Out Art Museum
Address: No. 50 Xingshikou Rd, Haidian District, Beijing, China 

With Pang Tao’s new works on paper as a prologue, this exhibition explores the artistic issues embedded in these works and traces them back to major works in every stage of her practice since the late 1970s. These works spanned an artistic career of the last four decades and revealed a number of creative concerns central to Pang. In addition, a display of her early works and manuscripts shed further lights on her overall practice. This exhibition presents Pang Tao’s works by paying close attention to her nuanced and rich artistic languages. By addressing her various artistic concerns in different spaces of the museum, the exhibition aims to establish organic links between her works and to represent the artist’s accomplishments as a whole, meanwhile, to reflect the historical space she lives in and its inherent texture. This study of Pang Tao is informed by a holistic perspective to examine the multiple trajectories of interactions between art and politics within the framework of “state transformation” in the contemporary history of China. 

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